[P161.Ebook] Ebook Download Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording, by David Grubbs

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John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?

In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.

• Sales Rank: #250839 in Books
• Published on: 2014-03-28
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 6.00" w x .50" l, .70 pounds
• Binding: Paperback
• 248 pages

Review
“An engaging book.” (David Revill Times Higher Education)

“The premise of [Grubbs’s] understandably authoritative first book is that experimental music’s flowering in the 1960s . . . was incompatible with the limitations of orthodox recording formats. . . . With an engaging frankness . . . Grubbs contrasts this tendency with his own fan-by appetite for records and the documentary efficacy of the contemporary digital realm, concluding positively that the latter potentially offers unmediated, universal access to the panoply of esoteric music—something unthinkable in the 1960s.” (David Sheppard Mojo)

"David Grubbs delivers a vital, searching treatise on the volatility of musical listening and the seeminging encyclopedic record of the avant-garde we have inherited from the 1960s, an era vastly different from our own in ways that are newly unpacked here. John Cage and his contemporaries' squemishness about the record and its 'thingness' are compellingly at odds with Grubbs's own phonophilia." (Marina Rosenfeld, composer and multimedia artist)

"Beautifully written and brimming with unexpected insights, Records Ruin the Landscape will undoubtedly inspire its readers to collect, download, and/or stream the wonderfully broad range of musicians and composers it examines. With a remarkable level of attentiveness, expertise, and care, David Grubbs's fascinating book draws upon the most intimate, oft-overlooked details of sound recordings to produce a profound new understanding of the stakes of what it means to listen to the past in the present." (Branden W. Joseph, author of Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage)

"Records Ruin the Landscape is a pleasure to read, full of wonderful anecdotes and historical material. David Grubbs approaches John Cage and his legacy from a new and refreshing angle, by examining the vexed relationship of experimental and improvised music to recording and phonography. The questions that he poses—about the ontology and potentiality of recording in relation to live performance, improvisation, chance, and indeterminacy—are important, and he answers them in smart and provocative ways." (Christoph Cox, coeditor of Audio Culture: Readings in Modern Music)

“For compositions whose whole raison d’�tre is to generate a drastically different realization with every performance . . . no recording of any one performance could be said to ‘be’ the piece. . . . David Grubbs’s exhaustively researched Records Ruin the Landscape explores this dilemma specifically as it affected the generation of avant-garde composers who hit their stride in the sixties, John Cage being the most prominent and outspoken among them.” (David Mandl Los Angeles Review of Books 2014-03-24)

“The risk writers run, of course, with the big questions approach, is universalising their personal narrative in order to present the big answer. Grubbs is too skilled and self-aware to run into this problem. His breadth of research in musicology and aesthetic theory is balanced in this short and engaging book with candid writing about his own experiences of recordings of experimental music. . . . It is testament to Grubbs’s sensitivity as a writer that sympathetic picture merges of these musicians, who seem often to be railing against hierarchies they can’t quite help being part of.” (Frances Morgan The Wire 2014-06-01)

"One of the chief joys of this book is that seeks to rediscover the avant-gardes of the 1960s in all their spontaneity, in their present-ness, as if unfolding these mavericks from their own perspectives, without benefit of current hindsight. We learn, reading this book, what the future looked like to the past. Records Ruin the Landscape seeks to prestidigitate the landscape of the 1960s back to life. �For this, one should be thankful—including for the recordings that allow David Grubbs’ act of imagination and scholarship to have taken place." (Daniel Herwitz Critical Inquiry)

About the Author

David Grubbs is Associate Professor in the Conservatory of Music at Brooklyn College, City University of New York, where he also teaches in the M.F.A. programs in Performance and Interactive Media Arts and Creative Writing. As a musician, he has released twelve solo albums and appeared on more than 150 commercially released recordings. Grubbs was a founding member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has appeared on recordings by the Red Krayola, Tony Conrad, Pauline Oliveros, Will Oldham, and Matmos, among other artists. He is known for cross-disciplinary collaborations with the writers Susan Howe and Rick Moody and the visual artists Anthony McCall, Angela Bulloch, and Stephen Prina. A grant recipient in music/sound from the Foundation for Contemporary Arts, Grubbs has written for The Wire, Bookforum, and the S�ddeutsche Zeitung.

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1 of 2 people found the following review helpful.
Excellent!
By Professor in socks
Grubbs' history and analysis of experimental music recordings is insightful, informative, and a great read.

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[W671.Ebook] Download PDF Divergent, by Veronica Roth

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In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can't have both. So she makes a choice that surprises everyone, including herself.

During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are—and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . .or it might destroy her.

Veronica Roth bursts onto the literary scene with the first installment in the Divergent series—dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance.

Performed by Emma Galvin

• Sales Rank: #84859 in Books
• Published on: 2013
• Released on: 2013-06-04
• Formats: Unabridged, Audiobook
• Original language: English
• Number of items: 1
• Dimensions: 5.75" h x 5.25" w x 1.50" l, .57 pounds
• Running time: 660 seconds
• Binding: Audio CD
• 10 pages

Amazon.com Review
A Q&A with Author Veronica Roth

Q: What advice would you offer to young aspiring writers, who long to live a success story like your own?

Roth: One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn’t rely on it, because it’s not guaranteed and it’s not permanent and it’s not sufficient. So work hard, fall in love with the writing—the characters, the story, the words, the themes—and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they don’t warp you, and when the bad things hit you, you don’t fall apart.

Q: You’re a young author--is it your current adult perspective or not-so-recent teenage perspective that brought about the factions in the development of this story? Do you think that teens or adults are more likely to fit into categories in our current society?

Roth: Other aspects of my identity have more to do with the factions than my age. The faction system reflects my beliefs about human nature—that we can make even something as well-intentioned as virtue into an idol, or an evil thing. And that virtue as an end unto itself is worthless to us. I did spend a large portion of my adolescence trying to be as “good” as possible so that I could prove my worth to the people around me, to myself, to God, to everyone. It’s only now that I’m a little older that I realize I am unable to be truly “good” and that it’s my reasons for striving after virtue that need adjustment more than my behavior. In a sense, Divergent is me writing through that realization—everyone in Beatrice’s society believes that virtue is the end, the answer. I think that’s a little twisted.

I think we all secretly love and hate categories—love to get a firm hold on our identities, but hate to be confined—and I never loved and hated them more than when I was a teenager. That said: Though we hear a lot about high school cliques, I believe that adults categorize each other just as often, just in subtler ways. It is a dangerous tendency of ours. And it begins in adolescence.

Q: If you could add one more faction to the world within Divergent, what would it be?

Roth: I tried to construct the factions so that they spanned a wide range of virtues. Abnegation, for example, includes five of the traditional “seven heavenly virtues:” chastity, temperance, charity, patience, and humility. That said, it would be interesting to have a faction centered on industriousness, in which diligence and hard work are valued most, and laziness is not allowed. They would be in constant motion, and would probably be happy to take over for the factionless. And hard-working people can certainly take their work too far, as all the factions do with their respective virtues. I’m not sure what they would wear, though. Overalls, probably.

Q: What do you think are the advantages, if any, to the society you’ve created in Divergent?

Roth: All the advantages I see only seem like advantages to me because I live in our current society. For example, the members of their society don’t focus on certain things: race, religion, sexual orientation, political affiliation, etc. I mean, a world in which you look different from the majority and no one minds? That sounds good to me. But when I think about it more, I realize that they’re doing the exact same thing we do, but with different criteria by which to distinguish ourselves from others. Instead of your skin color, it’s the color of your shirt that people assess, or the results of your aptitude test. Same problem, different system.

Q: What book are you currently reading and how has it changed you, if at all?

Roth: I recently finished Imaginary Girls by Nova Ren Suma, which I would call “contemporary with a paranormal twist,” or something to that effect. It’s about a girl whose sister has a powerful kind of magnetism within the confines of a particular town, and how their love for each other breaks some things apart and puts other things back together. It was refreshing to read a young adult book that is about sisterhood instead of romance. It’s one of those books that makes you love a character and then hate a character and then love them again—that shows you that people aren’t all good or all bad, but somewhere in between. Imaginary Girls gave me a lot to think about, and the writing was lovely, which I always love to see.

From School Library Journal
Gr 9 Up-In the dystopian Chicago setting of Roth's novel (Katherine Tegen Bks., 2011), the population is divided into five factions. Upon declaring allegiance to one of them, 16-year-old Beatrice will decide her future. Beatrice and her brother, Caleb, grew up in helpful, unassuming Abnegation, always putting others first. During her aptitude testing, a simulation probes her suitability for Abnegation, Amity, Candor, Dauntless, and Erudite. Rather than getting a clear reading of her strengths, Beatrice's result is disturbing and dangerous: she is Divergent. At the choosing ceremony, the teenager impulsively joins Dauntless, the tattooed "hellions" whose value is bravery, and who protect the community. Beatrice, now called Tris, finds she feels brilliantly alive in Dauntless, even during the brutal training. She enjoys seeing her muscles harden, testing her courage, protecting the underdog, and working her way up the ranks of recruits. Making both friends and enemies, she moves through simulations tailored to trigger her Fear Landscape. Gradually, her Divergence shows itself, allowing Tris to see that the faction-dominated world isn't as wonderful as she has been told. The likeable characters, excellent pacing, and blooming romance will have listeners hooked. Emma Galvin's youthful voice has a twinge of huskiness that lends itself to voicing both young men and women. The audiobook will be very popular, so library patrons will have to be careful considering the packaging: a lightweight box and foldout sleeves. You might want to purchase the audio download instead.-Maggie Knapp, Trinity Valley School, Fort Worth, TXα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
“A memorable, unpredictable journey from which it is nearly impossible to turn away.”— (Publishers Weekly (starred review))

“You’ll be up all night with Divergent, a brainy thrill-ride of a novel.” (BookPage)

Most helpful customer reviews

196 of 217 people found the following review helpful.
Well written, great secrets, solid second novel
By Christina (Ensconced in Lit)
I have been eagerly awaiting Insurgent by Veronica Roth along with many other people after the startling and thrilling first book, Divergent. That book introduced us to five factions of a dystopian society, and one brave girl named Tris, who decides to join the Dauntless. It's clear by the end of the book that she belongs to the group of Divergent, meaning that she could have belonged to any one of these factions with her personality traits.

This book takes off immediately where the last one ended. At first it's a jumble of confusion, and I may have made more sense if I had reread the first one right before this one. The factionless have more of a story, and we get more fleshed out characters. I have to admit I was a little disheartened by the first half of the book. To me, it seemed like we were drifting around in Tris's bizzare guilt trip. I understood she was working through her issues but I was almost overwhelmed by the amount of pages dedicated to this. Overall, the story has a darker tone and almost gets too heavy.

However, things change when secrets start to be revealed. My absolute favorite part of the book was when we are introduced to some Erudite characters who end up being more three dimensional than Tris ever imagined. The last secret revealed made the whole book worth reading.

While I had some reservations, I thought overall this book was well written and ramped up heavily at the end. The last 25% of the book was really terrific. Just personally, I think that I liked the first book better because we are first introduced into this world that is so completely different than has been created before. However, the second book is a solid companion to the first, and I am excited to see how the story ends.

0 of 0 people found the following review helpful.
You may like it, but probably not.
By cookie_monster
I was so hopeful for this book. Divergent was pretty good, and I liked the way it left off. But this sequel is quite the let down.
I want to start with the plot because that was my biggest issue. It felt like the characters were essentially running in circles until the climax. They went on all the little journeys that didn't really develop the characters or even the plot. It was just time killing. A note that I attempted to read the third installment, and failed. My reasoning is I feel like the author had a great idea with the first book, but jumped into publishing before she had really developed the story, and then had pressure from the the publisher to pump out the next one. It's a common mistake, but it frustrates me. That is why I believe the plot is so lacking and why there is such a dive from the first book to the second.
Characters is another thing I need to vent about. Authors sometimes make the mistake of losing sight of an actual character, and just begin to use them as tools to make the plot(whatever little there is) work. That happens frequently in this book. Characters do complete 180s in personality, with the slightest of reasons, and we're just supposed to accept it. Everything you knew about characters from the last book is void here. And sometimes that can make it more interesting. Other times you see that it's really just a distraction from the author not knowing what to do next.
Now after saying that, it's not a completely horrible book. Though, I warn you, the third one IS a completely horrible book. So is it really worth your time? I don't think so, but beauty is in the eye of the beholder I suppose.

2 of 2 people found the following review helpful.
This is an extremely poor example to set for youth
By hopew
Roth should not be writing youth fiction. This book is chock-full of dysfunctional behavior. For example, Four repeatedly grabs Tris after she tells him to let her go, and she acquiesces. He verbally abuses her and then justifies it. He tells her to look weak to fit in and protect herself. This is an extremely poor example to set for youth. Skip the book and watch the movie instead: the characters are more well-developed, and their strength and courage shines through.

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• Sales Rank: #8591814 in Books
• Published on: 2015-11-26
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x 1.18" w x 5.98" l, 1.69 pounds
• Binding: Paperback
• 582 pages

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[T256.Ebook] Free Ebook THE ROCKFORD FILES...Behind the Scenes: My Personal Files, by Mr Robert A. Howe

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A memoir of my personal behind the scenes experiences spending two years on the set of "The Rockford Files" meeting and spending time with James Garner, the cast and the wonderful crew of the classic television series.

• Sales Rank: #1001795 in Books
• Brand: Brand: CreateSpace Independent Publishing Platform
• Published on: 2012-08-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .56" w x 6.00" l, .74 pounds
• Binding: Paperback
• 248 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

25 of 26 people found the following review helpful.
Interesting story but kind of confusing..........
By Ben Graham
As a long time James Garner fan I found the stories great but it would have been nice to have a little more detail about the authors relationship with the show. It was unclear if he was employed by Mr. Garner or just hung out as a groupie for 2 years. The authors personal photograph collection is fantastic, you will walk away with a clear sense of the atmosphere that Mr. Garner created within his organization and is a further testament to his pretty much universal reputation as "A Good Guy". As an Oklahoman that lives about 15 miles from Mr. Garner's home town, we are sure proud to call him a native son!

11 of 11 people found the following review helpful.
Rockford Files-
By byarbor
In the days of The Mickey Mouse Club I thought the best job anywhere would have been at the old Triple R ranch hanging out with Spin & Marty and of course Annette. Having read "The Rockford Files...Behind The Scenes: My Personal Files" by Robert Howe I have to change my vote for he truly wound up with the dream job and an incredible experience. I've always loved the Rockford Files and James Garner and have read numerous accounts of the series over the years but there is something about Robert Howe's book that distinguishes it from the others as he was actually there. Moreover he was there living out a dream, a fantasy realized each day. The wonderful stories about the making of the show, the star, the cast & crew are all fantastic but it is Robert's story that is the most incredible. A young man from Michigan who moves to California with his family and then goes about visiting the set of his favorite TV show and then has the opportunity to meet his favorite actor and then gets invited back and then invited to stay and be a part of something so special. Only in America, only in America. A young man who didn't know that he couldn't do something and then did what he hoped to do and even more. It's a remarkable story. I really enjoy the stories he shares about the people who were involved in the making of this classic series but I really love his story. He does a remarkable job of taking us there and as a result we get to share the joy he experienced each day.

7 of 7 people found the following review helpful.
Follow Your Dream
By hummingbird70
As I was reading "Behnd The Scenes" The Rockford Files I couldn't help but be a little jealous of all the special memories and adventures as Robert takes you through this journey as if you are right there with him. He takes you from being nothing but a huge fan of The Rockford Files and James Garner to being an actual family member himself for two seasons and you will meet the cast and crew and see some beautiful friendships made as well as some fabulous photos from Rob's personal files. The book itself is his own personal experiences with the cast and crew who not only followed his dream but had a lot of fun and made some very special friends along the way. You will laugh, you might shed a tear, but one thing for sure you will get from "Behind the Scenes" is the feel good, heart warming stories that will leave footprints in you heart, if you are a true fan of The Rockford Files and James Garner. Friendships last a lifetime! When you Follow you Dreams, anyone can make it happen if you believe~ This young man, Robert A Howe from Michigan, proved that!
This is a very entertaining book and a must read. I highly recommend for all Rockford fans:)

Donnalee Cater Geiger
Crowley, Texas

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[U768.Ebook] Download The Killing Joke, by Anthony Horowitz

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When Guy Fletcher scoffs at a feeble joke he overhears in his local pub, he finds himself, in quick succession, head-butted and struck by an idea. Is it possible to trace a joke all the way back to its original source? Guy’s meandering trail leads him to a Hungarian dentist, a hyperactive troop of Boy Scouts, a group of giggling grave-diggers, and a half-dozen undercover detectives. He’s also sure that he’s being followed by a sinister Englishman, Irishman, and Scotsman. He has an unfortunate encounter with a banana peel. And there’s a fly in his soup. Guy is on the verge of discovering something very unpleasant. Making jokes is no laughing matter.

• Sales Rank: #2334513 in Books
• Brand: Brand: Orion Publishing
• Published on: 2005-04-01
• Original language: English
• Number of items: 1
• Dimensions: 7.70" h x .87" w x 5.00" l,
• Binding: Paperback
• 384 pages

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• Used Book in Good Condition

Review
“There is a new slew of comic writing out…and the best is The Killing Joke. In the playful manner of Jasper Fforde, the plot goes right to the heart of comedy. Great fun.” —The Observer

About the Author
Anthony Horowitz is a TV screenwriter, with credits including the BAFTA-winning 'Foyle's War', 'Midsomer Murders' and 'Poirot'. He is also the author of a string of bestselling children's books, including the Alex Rider series. He lives in London.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Enjoyable - if you're having fun, you need to stay til the end. No spoilers. :)

5 of 6 people found the following review helpful.
A riot!
By Beige and Velvet
Just like half the fun in a joke is in sharing it with others, I would also recommend and lend this book to my friends. This is probably the funniest thriller I've read. It's craftily written ("We're being attacked by stereotypes!") and doesn't bore one bit. The book starts and ends like a joke, and it follows the path of our protagonist Guy Fletcher who embarks on a mission of searching a sick joke to its origins. In the process, various jokes come to life as they try to make his quest more difficult and he gets chased by an Englishman, an Irishman and a Scotsman, an army of nuns, posses of Jews, blacks and homosexuals, finds a fly in his soup, sees a blind man riding a bicycle etc. Ultimately, the riddle "why did the chicken cross the road" leads him to his final destination. There's a love angle thrown in, but it never becomes overbearing so as to lose the focus of the book. A great read!

2 of 2 people found the following review helpful.
Humorous, clever and original, but spoiled with faults
By deudad
Anthony Horowitz is a great suspense writer, and he is also very good at making things funny. But The Killing Joke is not Alex Rider. It's more like a quirky James Bond/conspiracy thriller with a lot language and sexual content thrown in for effect.

We're introduced to Guy Fletcher, an actor presently out of work. One evening he goes into a bar and hears a particular joke and decides to track it down until he finds it's origin. This leads to his fantastical adventures that lead him across England. There's more to the story, but that's all you need to know for now.

I've read most of Horowitz's children's' books, like the Alex Rider series, the Gate Keepers series, as well as Groosham Grange. All of the books were very good. Not that they're flawless, particularly Groosham Grange, but all were enjoyable and interesting. The Killing Joke is written very much like Horowitz's other books. Here we have interesting characters, a good plot, an easy writing style, and definite originality. As literature, The Killing Joke can be read at any age. It's something a twelve-year-old could enjoy.

But the frequent strong language and strong sexual content make this book not worth it. The language, I feel, was unnecessary and added nothing to who there characters were. The sexual content, as well, seemed stupid and out of place. I'll get into more detail later when I talk about the characters.

I'll continue with the aspects of The Killing Joke that I didn't like. First of all is the pacing. It is consistent, but very slow. A lot of time is spent on back-story, and wandering around the countryside following the joke. For some reason, it felt forced, as if Hororwitz didn't have material to make a descent sized book.

This leads me to the story, or the plot. In truth, there really isn't a story. The Killing Joke is based on a concept rather than a plot or characters. Albeit, it's a great concept, but I don't think it's enough to hold an entire book. I think it would be better suited for a novella or short story.

Even if the story doesn't work, strong characters can still hold up a book... and this is something The Killing Joke has in short supply. The only character that is developed at all is Guy Fletcher. I found him to be a fun person to follow, and someone I had no trouble rooting for. Other than Guy, though, the other characters were flat and seemed more like placeholders rather than real people. There seemed no real point to Sally. There's never any explanation as to why she even likes Guy. Removing the romantic subplot would have helped with the levels of sexual content, and the general welfare of the book. Alas...

In truth, there were a lot of pointless things that existed and happened. There is no explanation as to why certain things occurred, like armies of stereotypes following Guy, and what is the point of having Sally have an enormously fat mother, among other things? All of these things do nothing to further the plot or characters, only the concept. Even then it's sometimes questionable.

Now, it may seem as if I hate every aspect of this book, but I don't. There are a couple of things that made The Killing Joke readable. The first is Horowitz's writing style. He is a very good writer. He utilizes numerous writing quirks to effectively create a strange and humorous atmosphere. And as I said before, the concept is very imaginative and original. I like it a lot. Also, Horowitz combines plentiful clich�d elements and uses them to his advantage, which is clever, and some thing I really enjoy. And much of the book is downright funny.

Over all, The Killing Joke is readable, but nothing more. Most of the characters are flat, the plot drags, and the concept would be happier in a short story. Not to mention the amount of language and sexual content and pointless situations. While there are good aspects, they do not outweigh the bad.

Because of this, I do not recommend you read The Killing Joke.

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[Y984.Ebook] Ebook Free Why Agile is Failing at Large Companies: (and what you can do so it won't fail at yours), by Geri Schneider Winters

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Do you know what Agile will do to your company?

The dirty little secret, the thing no one wants to talk about, is that changing your software development practices to be one flavor or another of Agile may be a bad thing for other parts of your company. Changing those other parts of your company so it all fits together again may be so expensive that the return on the investment is not worth it.

Before jumping on the Agile bandwagon, before starting down the path of tearing your company apart and rebuilding it, spend a little time investigating how big the change might be and if it will be worth it.

Ms. Winters reviews a variety of software development practices, both Agile and those that pre-date Agile, to give you some ideas of what adopting those practices might mean to other parts of your company. Procurement, accounting, human resources, facilities, portfolio, risk and compliance, and security are just a few areas that can be impacted by the adoption of Agile software development practices.

• Sales Rank: #94623 in eBooks
• Published on: 2016-01-11
• Released on: 2016-01-11
• Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Ignore this book at your Peril!
By Thomas Meloche
In the interest of full disclosure I am totally biased with respect to Geri's insights--I believed they are brilliant and spot-on even before reading this book. This is a good thing, and why I have actively sought out the opportunity to work with her as a partner on many occasions over the past 10 years, especially when doing large agile consulting engagements. She brings a perspective to working in large bureaucracies that I simply did not have. It is a very valuable perspective. It is probably more honest than most people care to hear, which is precisely why you should read the book.

We have worked together extensively at various clients doing agile implementations over many years. We have watched together several billion dollars of projects delivered using "agile" rigor. We've had long discussions about the issues and solutions raised in this book. We've cared deeply, perhaps too deeply sometimes, about helping our clients achieve the benefits provided by agility. I believe this passion comes through.

Read the book.

Read it slowly with a highlighter.

Take notes.

Consider seriously the positions and recommendations she presents. There is an entire career of experience captured in this book and it is rare to find an agile author willing to be this honest about the true challenges you face. Be assured of this, your journey through this book and with agility will be absolutely worth the effort.

2 of 2 people found the following review helpful.
Straightforward, insightful and honest.
By Leigh St John - Living With Passion and Making A Difference...
I've been in the professional development arena for - well, longer than I care to admit - and this is one of the few examples where the author truly explored the subject from all angles and provided costs and benefits for all stakeholders, as well as a suggested path forward - and why this path as opposed to that. Agile, Waterfall, Asset Stewardship... If you are in a management role in any large organization, I recommend you not just read, but study and implement that which is covered in this book. Definitely an evergreen management resource.

1 of 1 people found the following review helpful.
A needed dose of reality for “agile” near hysteria ...
By Michael E. Russell
Rather than asking the question “to be or not to be agile” these days, it seems many businesses are defaulting to implementing agile approaches of some form. The agile movement has become almost a herd mentality … “Just do it” and urged on by hoards of new agile consultants.

The author adds a dose of needed reality to this situation by suggesting starting with better questions like: “What do we need?” and “What do we need to do to get there?” She then supplies information to help guide the reader in answering those questions. For instance, one further clarifying question the author suggests is: “Do we need better projects or better products?” If the analysis indicates that agile approaches of some form are needed, she offers analysis of what methods work best under different conditions..

One of the perhaps startling things you will learn in reading this book is that if agile approaches are used to solve the wrong problem or used in inappropriate settings, agile will actually make the situation worse. Another interesting nugget: some of the less widespread agile practices are easier to implement and gain quick wins.

Take advantage of the “Look Inside” feature to read the “Letter to Greg.” This ingenious idea will give you an excellent overview of the book and how they it can help you.

After you get the book, I suggest you next read the Introduction but then skip to he last section that sketches what an ideal agile organization looks like. The picture of the ideal will help you to evaluate your interest in and need for agility. You can then leverage the earlier sections for understanding more detail and deciding a course of action.

I have had the privilege of working with the author recently in assisting a Fortune 200 client work toward agility. Geri’s heart is to make sense of situations and solve problems, which is what she does in this book about the reality of agile. I and others encouraged her to write the book to add to the needed conversation about making “agile” successful instead of just trying to implement agile methods to appear “up with the times.”

Reading this book can potentially save your career from agile land mines.

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