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This textbook introduces undergraduate students to engineering dynamics using an innovative approach that is at once accessible and comprehensive. Combining the strengths of both beginner and advanced dynamics texts, this book has students solving dynamics problems from the very start and gradually guides them from the basics to increasingly more challenging topics without ever sacrificing rigor.

Engineering Dynamics spans the full range of mechanics problems, from one-dimensional particle kinematics to three-dimensional rigid-body dynamics, including an introduction to Lagrange's and Kane's methods. It skillfully blends an easy-to-read, conversational style with careful attention to the physics and mathematics of engineering dynamics, and emphasizes the formal systematic notation students need to solve problems correctly and succeed in more advanced courses. This richly illustrated textbook features numerous real-world examples and problems, incorporating a wide range of difficulty; ample use of MATLAB for solving problems; helpful tutorials; suggestions for further reading; and detailed appendixes.

• Provides an accessible yet rigorous introduction to engineering dynamics
• Uses an explicit vector-based notation to facilitate understanding

Professors: A supplementary Instructor's Manual is available for this book. It is restricted to teachers using the text in courses. For information on how to obtain a copy, refer to: http://press.princeton.edu/class_use/solutions.html

• Sales Rank: #81133 in Books
• Published on: 2011-03-14
• Original language: English
• Number of items: 1
• Dimensions: 10.10" h x 1.70" w x 7.10" l, 3.40 pounds
• Binding: Hardcover
• 704 pages

Review
"Engineering Dynamics: A Comprehensive Introduction targets students who are taking an introductory course in dynamics. The authors' stated intent is to provide a clear, rigorous, and complete view of the fundamentals of Newtonian dynamics, emphasizing a deep understanding of the concepts and the mathematics behind them. The result is a book that covers ample topics of engineering dynamics in a structured, detailed, and systematic manner. . . . [The] appendices provide a quick and easy way to review the main concepts and mathematical tools used in solving dynamics problems. . . . Adding to the nice reading, the notation used throughout the book is clearly described. It is consistent and easy to understand; it also promotes a clear identification of the system of reference used. . . . Kasdin and Paley provide a sound mathematical approach in a modern and systematic manner. Engineering Dynamics is an outstanding book that presents an invigorating perspective on one of the most important topics in engineering, proving that, although 'dynamics is difficult,' it is nevertheless extremely important, and, with the right support, one can see that it is also beautiful."--Corina Sandu, Journal of Guidance, Control, and Dynamics

From the Back Cover

"There are few courses in the engineering curriculum that cause students more difficulty than rigid-body dynamics. By laying out the foundations of the subject with precision and clarity through unambiguous notation and rigorous definitions, Engineering Dynamics goes a long way toward remedying this situation. Numerous examples with motivating applications demonstrate the underlying ideas and solution techniques. This landmark text stands apart in the field, and will be welcomed by students and instructors alike."--Dennis S. Bernstein, University of Michigan

"Kasdin and Paley provide a thorough and rigorous introduction to engineering dynamics. They hit all the required topics, and also present material not normally addressed by an introductory text. This is an ambitious book and the authors carry it out well. It is in many ways better than almost all other comparable texts."--Geoffrey Shiflett, University of Southern California

About the Author
N. Jeremy Kasdin is professor of mechanical and aerospace engineering and lead investigator for the Terrestrial Planet Finder project at Princeton University. Derek A. Paley is assistant professor of aerospace engineering and director of the Collective Dynamics and Control Laboratory at the University of Maryland.

Most helpful customer reviews

4 of 5 people found the following review helpful.
An Unorthodox but Excellent Approach to Engineering Dynamics
By Siong Jong Hang
There are many great books on Engineering Dynamics out there and this book is one of them. However, what really sets this book apart from others is its unique and unorthodox approach in helping students to learn engineering dynamics. This author addresses the 2 most important components in learning this subject - Physics and Mathematics. Each one is treated separately and from the ground up starting with qualitative definition of dynamics concepts followed by basic mechanics with some problem solving at very early stages before delving more in-depth into Newton's laws where their meanings are explained to enable students to realize the advantages and pitfalls in using Newtonian and how they can be complemented by Lagrangian method. Basics like reference frames, velocity and vectors and physics of motions are all consolidated in early chapters and given the utmost treatments by the author instead of breaking them up as introduction in individual topics. This way, students are able to build a concrete foundation to prepare them for more advanced discussions. Equipped with these basics, students are able to understand that solving problems in motions is about finding equations to predict their trajectories rather than giving those formulations to students without requiring them to understand the underlying principles. The rest of the chapters are very similar to other texts covering particle dynamics, motion of multiparticle system, rigid body dynamics and so on. There's another notable feature which is Tutorial section that acts as chapter summary to remind student once again on the important concepts through various scenarios and by relating to concepts and techniques from other chapters.

This book is also a great source for educators who are looking for more effective ways to impart knowledge to students, be it engineering, biology, chemistry or any other sciences. This book can also be a great companion to Fundamentals of Applied Dynamics by James H. Williams, Jr.

If only Amazona allows 6-star rating.

2 of 3 people found the following review helpful.
An excellent choice as the main textbook in engineering dynamics!
By Ahmad Kassaee
The authors have delivered exactly as promised in the preface of this book. You want to read it first! The goals in the preface are set clearly and met without deviation. The issues identified in the preface are very important in the education of classical mechanics for engineers.
I read preface, chapters 1 through 3, chapter 8 and skimmed the rest of the book. The language style adopted in this book is simple, directed to the reader, and logically concise.
As pointed out in this book, at the very beginning, "The dynamics in difficult". Why? One example is that the dynamics is difficult because the kinematics of bodies embedded in a system and working together in a harmony can easily become very complex to evaluate. The effort needed to solve the governing equations, obtained by use of Newton's laws of motion, is another story.
It would be very helpful to adopt the mathematical language (the meaningful use of notations in writing kinematic relations), used in this book, as standard notations by some related non-profit professional institution.
Following the mathematical notations, used in this book, is rewarded by obtaining the correct answers in the first attempt when solving any simple or complex problem. Careful use of the notations eases the task of detecting mistakes in the flow of calculations.
By reading this book, it would be almost impossible for a student to make fundamental mistakes in solving kinematics of a system that require use of several rotating frames of reference with respect to each other.
The authors have definitely identified several student problem areas in comprehending the subject and have highlighted them rightfully. An example is referring to calculation of time derivative of a vector in a rotating frame with respect to another frame as "transport equation". This makes it easy to identify and refer to that computation whenever needed. Another example is, as the authors call it, "anatomy of Newton's second law" is explained at the very beginning of this book which is the core of the subject in classical mechanics.
This is a superb book to be used as the main text in undergraduate course in engineering dynamics and certainly is a very valuable reference for graduate students as well.

2 of 5 people found the following review helpful.
Great book, relatively simple explanations.
By Oliver O.
The book takes the relatively complex concept of vector dynamics within different frames and cuts it into bite size chunks. I am currently taking Paley's class and he really knows his stuff. He is able to connect to young students who sometimes have trouble wrapping their head around this stuff WITHOUT ever patronizing or getting angry (probably because he is pretty young himself). I would have to say this is my hardest semester in school so far and this book and this class is the hardest, but favorite.

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Book 4 IS OUT! IMPOSE: amazon.com/dp/B01EXKSQXA/

Kata. I will have the seer. She is the key to avenging my father's death and destroying the Bana pack.

Roman. I never had to worry about Jace challenging my authority to rule the pack. But this seer... She could show him things. If I have to, I will fight both Kata and Jace.

Kira. I must find my father, and lycans have him. Jace says I can trust him, but my father said not to rely on anyone but Kip. These beasts...all they do is fight.

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This story is part of a serial and ends in a cliffhanger.

Lycan Wars Series

Imprint
Impulse
Invade

By Moon or By Blood Series (Coming 2016)

Impose (amazon.com/dp/B01EXKSQXA/)
Ignite
Implode

• Sales Rank: #176684 in eBooks
• Published on: 2015-08-11
• Released on: 2015-08-11
• Format: Kindle eBook

From the Author
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Most helpful customer reviews

1 of 1 people found the following review helpful.
Good Action
By Kindle Customer
Okay this is the back story on everyone's life and the events that set off chain reactions.The writer gives us the story and she throws in some nail bitting moments,that leave you gasping.This was more action and more about trying to survive being held by a mad man.This was well written and executed just right.

2 of 3 people found the following review helpful.
aggravating heroine ruins read....Im actually angry I cant delete
By EclctcDcdnce19
That girl annoyed the hell out of me!!! hot cold hot cold....make up your mind already. if he hadnt imprinted, he would have tossed her on her butt. let them take her please, she's so selfish......so annoying, wasted my money, couldnt finish.......

Seriously, I loved all of the characters except her.this story and the world the author created had me intrigued, but that girl killed my interest. I put this down, and unless I just want to torture myself one bored Sunday afternoon, no way will I pick this up again. and even then, I may find cleaning the toilet more rewarding. I felt so betrayed for wasting my time on this book. don't waste your .99 cents. I'm still trying to find a way go get these 3 books of my kindle..... yes, harsh words for an annoying a** chick characater....

1 of 1 people found the following review helpful.
Five Stars
By Paula M.James
I love this book!

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"Aun cuando toda relaci�n entre un hombre y una mujer suele iniciarse con una oleada de pasi�n y entrega mutuas, en ocasiones, de una manera gradual va apareciendo el lado oscuro, agresivo e inquietante de �l: se trata del mis�gino, un hombre que, aun amando a su compa�era, se comporta con ella como si la odiase; a veces el agravio es muy sutil, pero otras, la critica abiertamente, la humilla, la responsabiliza de todo lo que va mal... y, sin embargo, ella acepta sumisa todos esos abusos. Mediante una serie de casos pr�cticos, Susan Forward, psicologa norteamericana, muestra a todas las mujeres c�mo romper el c�rculo vicioso del maltrato psicol�gico, recuperando el respeto y la confianza en s� mismas y aprendiendo a amar a hombres que las amen de verdad." INDICE: -Agradecimientos. -A modo de introducci�n personal. -Primera parte: Los hombres que odian a las mujeres. -1. El hombre m�s rom�ntico del mundo. -2. El fin de la luna de miel. -3. Las armas con que �l se asegura el control. -4. Los territorios donde �l se asegura el control. -5. Lo que mantiene "enganchadas" a las mujeres. -6. C�mo llegan los hombres a odiar a las mujeres. -7. C�mo llegan las mujeres a amar a quienes las odian. -8. Locura para dos. -Segunda parte: Las mujeres que siguen am�ndolos. -9. �Qu� tal te sientes? -10. Prepar�ndose para el cambio. -11. C�mo se cura el pasado. -12. C�mo asumir tu enojo. -13. C�mo poner l�mites a tu compa�ero. -14. C�mo conseguir ayuda profesional. -15. Hay que saber abandonar: la ruptura. -16. Para encontrarte contigo misma. -Bibliograf�a.

• Sales Rank: #1569511 in Books
• Published on: 2005-03-30
• Original language: Spanish
• Dimensions: 9.00" h x 6.25" w x 1.00" l, 1.06 pounds
• Binding: Paperback
• 336 pages

Features

• Self-help books in Spanish

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0 of 0 people found the following review helpful.
Five Stars
By Maritza
Great book

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Confronts the effects of modernism on society and proposes a remedy based on a redefinition of our art and culture

• Sales Rank: #762427 in Books
• Published on: 1995-09-01
• Released on: 1995-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .49" w x 6.00" l, .79 pounds
• Binding: Paperback
• 216 pages

From Kirkus Reviews
One of the livelier critics of the contemporary art scene (Has Modernism Failed?, 1984--not reviewed) tries to trace the roots of the present crisis in aesthetics and to map out some ways of escape. Gablik's thesis is not original. ``Since the Enlightenment,'' she maintains, ``our view of what is real has been organized around the hegemony of a technological and materialist world view...we no longer have any sense of having a soul.'' Spirituality and ritual have been the first casualties of this attitude, but the most profound reordering, Gablick says, has occurred in the area of social relations, as the spread of individualistic philosophies has weakened or destroyed the cohesion of traditional communal structures--leading to the modern artist understanding his or her vocation in terms of the objects created rather than the audience addressed. If the artist has any awareness of the audience at all, it is usually seen as a hostile force to be either ignored or shocked (this is the lesson Gablik draws from Richard Serra's Tilted Arc controversy). What is needed, we are told, is an aesthetics of ``interaction and connection,'' in which the artist works to restore the lost harmony between humanity and earth, and to override the alienation of race, sex, and class. At this point Gablik's argument falls into New Age obscurantism and is weakened further in that most of the exemplars of her approach (sculptors who design carts for the homeless, photographers who document toxic-waste dumping, etc.) sound more like social workers or advocacy lawyers than artists. A valuable analysis that brings forth incredible conclusions. Gablick has apparently fallen into a deconstructionist vocabulary that allows her to play fast-and-loose with concepts of ``art'' and ``creation,'' resulting in a confusion little better than the one she set out to overcome. (Thirty-two illustrations.) -- Copyright �1991, Kirkus Associates, LP. All rights reserved.

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27 of 29 people found the following review helpful.
Art for ecological action.
By Luke Deacon
The Reenchantment of Art is a passionate plea for artists to reacess the thought and practice of a century of modernism. Gablick`s earlier book, 'Conversations before the end of time' was a collection on interviews and discussions with critical thinkers on environmental issues. The Reenchantment of Art refines the issues raised in the interviews of the earlier book toward a contemporary art focus. It speaks against individualist thought in art making, pointing artists toward new possibilties in art practice.
Using examples of environmental artists, Gablick provides insights into new working methods of important contemporary artists. These artists are using their creative abilty to ammend the destruction of modern society by engaging in art practices that give 'something worthwhile' back to the earth and its people.
Environmental art is of critical importance in this next century. Gablick`s book shapes the foundation of perhaps the most important movement in contemporary art theory.

3 of 3 people found the following review helpful.
Helps re-establish the web of interdependence upon which our lives hinge
By Green Stone
Those with eyes to see and hearts that can still feel, can readily see that the one thing we need most, if we are to save ourselves and our planet from collapse under our appalling and arrogant abuse of nature, is to re-establish ourselves in the web of interdependent relationships with each other, the earth, and all natural and spiritual beings. Suzi Gablik's vision in this book is in line with this healing vision, which after all, represents art as it was at the dawn of time: ancient art was healing art, magical art, connected art, folk and naive art.

With increasing "civilization" , Gablik points out, art has lost its magical, mythical and earth-derived power: its power to enchant. Any person with "common" sense, which is an earthy sense, can see that where the art world stands now is often so idiotic: as Gablik points out so well, art has capitulated to the forces of the marketplace, and idiots gleefully delight in the way their commodity-art provides a nice income for them, because the who's-who's of the capitalist corporate marketplace just love that art too has become a prostitute to their greed and lust for power and wealth. Those who want to do meaningful art need not to become prostitutes, and Gablik's book points the way to the older ways of art, which, just like the older, Pagan ways of religion, ironically emerge as part of the vision of the needed way forward.

Two areas where Gablik's vision for art could be expanded, areas she didn't explore as fully as might be explored: the benefits that can be gained from viewing the role art played in the most ancient societies, the Paleolithic Goddess statuary and cave paintings, the shamanic aspect of art, and thus the link of art with various "Pagan" religious/spiritual orientations. Here lies enormous meaning. In this direction too, we can contemplate that as art returns to its archaic roots in search of meaning, the distinction between "professional" artists and folk or naive artists, will very likely diminish, and this is something Gablik makes no mention of.

It is evidence of a lack of both social and psychological integration, that any society, rather than viewing EVERYONE as capable of creative work, and calling us to it, prefers to "project" its own creativity onto an "elite" group, which performs this necessary function, presumably for others, though this elite has done so since the early 20th century with varying degrees of contempt for and disengagement from those others. An astute observer could read behind this contempt, the natural result of psychological splitting. No one in their depth is really satisfied with a situation where "we" create for "you", because you all refuse to take the responsibility to awaken to your own creativity. If you shove off your creativity onto us, naturally we will eventually become contemptous of you. Thus we can understand the contempt and arrogance of modern art as a predictable result of an unhealthy psychological and social situation.

In ancient times, art was not the exclusive province of some highly trained elite corps. It was done by the plain "folk." The value of one simple, untrained individual now striving, against all cultural programming, to create something with pen or paint or clay out of a vital and real NEED, is an act of a far more profound significance and touching pathos than 99% of the idiot trash created by a self-indulgent and cynical, snobby and increasingly irrelevant "art elite." Many have written on the spiritual and psychological significance of the PROCESS of art, wholly apart from the PRODUCT that may be produced: MIchell Cassou, Pat Allen, and Joanna Field and many others. The emergence of a new vision of art which is inclusive of the efforts of plain common people to paint their world out of a vital psychological and/or social need, is of enormous value for the future.

1 of 1 people found the following review helpful.
Inspirational
By reader
This book really got me to question why we need art, and what roll art plays in society today. I would recommend it to anyone who wants to learn how to discover hope in a seemingly dark word. It helped me to realize that art influences, and that we should let art influence us.
"When did it happen, that working with kids became a saintly, do-gooder thing? It's a basic duty of society. The reason the kids are running wild is that no one is there for them." Rollins (108)

"Cultural myths do not die easily, especially when our personal commitment to them is so strong that it is difficult even to entertain explanations of possibilities based upon different premises... Our cultural myths support economic advancement and the hard edged individualist writ large, rather than service, caring attitudes and participation. Though certain individuals are exploring and implementing more communal values, others have not shifted their understanding in this way and may not wish to. For them, art remains a question of radical autonomy." (116)

"When someone seriously questions the accepted way things are done suggesting a new approach, the person may trigger anxiety in others. This anxiety may be turned against the innovator in the form of anger." Carol Becker (116)

"One of the peculiar developments in our Western world is that we are losing our sense of the divine side of life, of the power of imagination... without the magical sense of perception, we do not live in a magical world." (42)

"Negative images have a way of coming alive just as positive images have. If we project images of beauty, hope, healing, courage, survival, cooperation, interrelatedness, serenity, imagination and harmony, this will have a positive effect. Imagine what artists could do if they became committed to the long-term good of the planet. The possibilities are beyond imagination. If all artist would ever pull together for the survival of humankind, it would be a power such as the world has never known" (155)

"Community, as it is being enacted here, is the ability to touch others in ways that matter to them-to give them a voice." (105)

"Our psychic "entrancement" with industrialism is what is pre-still continue to believe it is the necessary condition for our survival, even when its desolating effects have become so obvious, and we perceive the basic life-support systems closing down under its assaults." (93)

"The experience begins with a feeling, a sense of something that wants to materialize itself... What the world lacks today is not so much knowledge of these things of the spirit as experience of them. Experiencing the spirit is all. To believe is okay, but a personal experience is better, a direct feeling with something" Shaffer (44)

"Obviously, how we see the future has everything to do with how we live in the present. For the first time in recorded history, the certainty that there will be a future has been lost; this is the pivotal psychological reality of our time. According to the French social philosopher Jean Baudrillard, there is no future. Everything has become "nuclear, faraway, vaporized"; and the ending of the possibilities for art merely reflects the more general ending of reality itself. Since everything has already been wiped off the map, Baudrillard finds it useless to hope, or to dream. In an amazing essay called "The Anorexic Ruins," Baudrillard claims that the great artistic visions were those of the years from 1920 to 1930. Since everything has been done already, today we are only inferior imitators. Intrinsic values have been replaced by simulated, synthetic values. "The maximum in intensity lies behind us," he states. "The minimum in passion and intellectual inspiration lie before us." Quite simply, according to Baudrillard, there is no life any longer in our societies, although the vital functions continue. One comes to an arrangement with the situation; reciprocal indifference is negotiated." (19)

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The New Industry Standard in Business Valuation Reference Materials

2016 Valuation Handbook - Guide to Cost of Capital provides the key annual valuation data previously published in (i) the now discontinued Morningstar/Ibbotson SBBI Valuation Yearbook (discontinued in 2013), and (ii) the Duff & Phelps Risk Premium Report (no longer published as a stand-alone publication).

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The 2016 Valuation Handbook includes data through December 31, 2015, and is intended to be used for 2016 valuation dates.

For more information about Duff & Phelps valuation data resources published by Wiley, please visit www.wiley.com/go/valuationhandbooks.

Also Available

• 2016 Valuation Handbook - Industry Cost of Capital
• 2016 International Valuation Handbook - Guide to Cost of Capital
• 2016 International Valuation Handbook - Industry Cost of Capital

Key Features

• Key cost of capital outputs: The 2016 Valuation Handbook provides the key inputs needed for developing the cost of equity capital (i.e., "discount rate") for use in estimating the value of a subject business, business ownership interest, security, or intangible asset. Inputs provided include: equity risk premia, size premia, risk premia over the risk free rate, full-information industry betas, industry risk premia, and risk-free yields.
• Discussion of topics that come up most when performing valuation analysis: The 2016 Valuation Handbook includes straightforward discussions about: (i) valuation theory, (ii) the differences between the various cost of capital estimation models (build-up, CAPM, Fama-French), (iii) understanding the basic building blocks of cost of equity capital (the risk-free rate, the equity risk premium, the size premium, beta, the industry risk premium, the company-specific risk premium), (iv) whether to "normalize" risk-free rates or not, (v) a detailed comparison of the CRSP Deciles Size Premia Study (this is the former SBBI Valuation Yearbook data) and the Risk Premium Report Study, and more.
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• Sales Rank: #854404 in Books
• Published on: 2016-04-11
• Original language: English
• Dimensions: 11.30" h x 1.30" w x 8.70" l, 3.42 pounds
• Binding: Hardcover
• 384 pages

About the Author

Roger J. Grabowski, Managing Director of Duff & Phelps LLC, is a major speaker at conferences and has testified in court as an expert witness on the value of closely held businesses and business interests, matters of solvency, valuation and amortization of intangible assets and other valuation issues. He testified in the Northern Trust case, the first U.S. Tax Court decision that adopted the discounted cash flow method to value the stock of a closely-held business with the discount rate based on the capital asset pricing model.

James P. Harrington, Director in the Office of Professional Practice at Duff & Phelps, is an accomplished financial writer and analyst. He provides technical support on client engagements involving cost of capital and business valuation matters, and leads efforts for development of Duff & Phelps’ studies, surveys, online content and tools, and internal models. He is also the co-developer of the online Duff & Phelps Risk Premium Calculator, which is based on the data and methodology of the Duff & Phelps Risk Premium Report.

Carla Nunes, Director in the Office of Professional Practice of Duff & Phelps LLC, provides firmwide technical guidance on a variety of valuation, financial and tax reporting issues. She has directed multiple valuation assignments for a wide range of industries, including pharmaceutical, biotechnology, healthcare and specialty chemicals.

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0 of 0 people found the following review helpful.
great book even better price
By Amazon Customer
very useful though slow delivery

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• Sales Rank: #3839723 in Books
• Published on: 1981
• Binding: Paperback

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Anthology for Musical Analysis, by Charles/ Rothstein, William Burkhart

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• Sales Rank: #3547565 in Books
• Published on: 2007-05-11
• Binding: Paperback

Most helpful customer reviews

3 of 7 people found the following review helpful.
Women Composers
By J. Fischer
When I read the table of contents, I was very very happy to see that this book includes women composers. My theory book from last year did not include any women composers and that made me mad, so I was excited to see Hildegard of Bingen and Ruth Crawford Seeger among others included in this book.

6 of 7 people found the following review helpful.
Reasonable, print quality issues
By Alasdair D. Maclean
This anthology has a reasonably good selection of classical music works for students. The one thing I noticed regularly throughout, however, is the poor quality of some of the printing which makes some of the scores illegible. Often, the original score has been reduced in size to fit the anthology's page format, thereby reducing the graphic details to the point where they cannot be deciphered even with magnifying glasses.

1 of 1 people found the following review helpful.
Burkhart
By gbutler
The Anthology for Musical Analysis, sixth edition, Postmodern Update, by Charles Burkhart and William Rothstein is a well selected collection of classical masterpieces with well written commentary preceding each piece. The anthology is well organized and layout and cover design are attractive.
Binding: spiral/ paperback
CD: was not included
Copy date: 2008
Published by Thomson Learning.

See all 13 customer reviews...

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